In One Thousand and One Nights collection, bracelets and Pendants are inspired from the Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature's during early era;
(Pictures below are some of the pieces from this collection.) Islamic and mostly floral patterns. Black and grey tone are portraying the night sky with gemstones resemblance the sparkling night stars.
~ Fate and destiny ~
"A common theme in many Arabian Nights tales is fate and destiny.
“ every tale in The Thousand and One Nights begins with an 'appearance of destiny' which manifests itself through an anomaly, and one anomaly always generates another. So a chain of anomalies is set up. And the more logical, tightly knit, essential this chain is, the more beautiful the tale. By 'beautiful' I mean vital, absorbing and exhilarating. The chain of anomalies always tends to lead back to normality. The end of every tale in The One Thousand and One Nights consists of a 'disappearance' of destiny, which sinks back to the somnolence of daily life ... The protagonist of the stories is in fact destiny itself. "
Pendant: Blue Sapphire,Green Tsavorite, Yellow Sapphire, Black Pearl, Black Onxy
Night Bracelete: Ruby, Tsavorite, Pink Sapphire, White Topaz
"One Thousand and One Nights (Arabic: كتاب ألف ليلة وليلة Kitāb 'alf layla wa-layla; Persian: هزار و یک شب Hezār-o yek šab) is a collection of Middle Eastern and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age. It is often known in English as the Arabian Nights, from the first English language edition (1706), which rendered the title as The Arabian Nights' Entertainment."
Arabian Night Bracelet : Ruby, Yellow Sapphire, Pink sapphire, Green Tsavorite and Black Onyx. (NO.S00943)
Bracelet & Ring : Black and Grey Pearl, Pale Pink Sapphire, Tsavorite Gemstones
The story was told :
The main frame story concerns a Persian king and his new bride. Upon discovering his wife's infidelity, the king, Shahryar, has her executed and then declares all women to be unfaithful. He begins to marry a succession of virgins only to execute each one the next morning. Eventually the vizier, whose duty it is to provide them, cannot find any more virgins. Scheherazade, the vizier's daughter, offers herself as the next bride and her father reluctantly agrees. On the night of their marriage, Scheherazade begins to tell the king a tale, but does not end it. The king is thus forced to postpone her execution in order to hear the conclusion. The next night, as soon as she finishes the tale, she begins (and only begins) a new one, and the king, eager to hear the conclusion, postpones her execution once again. So it goes on for 1,001 nights.
The tales vary widely: they include historical tales, love stories, tragedies, comedies, poems, burlesques and various forms of erotica. Numerous stories depict djinn, magicians, and legendary places, which are often intermingled with real people and geography, not always rationally; common protagonists include the historical caliph Harun al-Rashid, his vizier, Ja'far al-Barmaki, and his alleged court poet Abu Nuwas, despite the fact that these figures lived some 200 years after the fall of the Sassanid Empire in which the frame tale of Scheherazade is set. Sometimes a character in Scheherazade's tale will begin telling other characters a story of his own, and that story may have another one told within it, resulting in a richly layered narrative texture.
The different versions have different individually detailed endings (in some Scheherazade asks for a pardon, in some the king sees their children and decides not to execute his wife, in some other things happen that make the king distracted) but they all end with the king giving his wife a pardon and sparing her life.
The narrator's standards for what constitutes a cliffhanger seem broader than in modern literature. While in many cases a story is cut off with the hero in danger of losing his life or another kind of deep trouble, in some parts of the full text Scheherazade stops her narration in the middle of an exposition of abstract philosophical principles or complex points of Islamic Philosophy, and in one case during a detailed description of human antomy according to Galen—and in all these cases turns out to be justified in her belief that the king's curiosity about the sequel would buy her another day of life
